Don Quixote may be the first modern novel, but Cervantes did not pull it out of the air like a magician’s bouquet. The Spanish bard borrowed language, story, form and genre, giving them his own indelible stamp. The stories he borrowed became his own.
Obviously, the principal genre Cervantes plundered was chivalric romance. Romances are the authors of Don Quixote’s madness, they serve as guidebooks for his speech and behavior, and they are the templates for the novel. The book follows the typical structure, story line, chronotopes and many conventions, but the heroic tale becomes a parody as it passes through the hands of multiple authors, some realistic and some rhetorical.
Continue reading “Don Quixote: A Compendium of Genres, a Book of Books”
Background: After an introduction to writing, literature and poetry, we turned to the genre of romance, whose definition has morphed from chivalric romance (such as Sir Gawain and the Green Knight) through Gothic romance (as in Wuthering Heights by Emily Bronte) to modern romance (as represented by the short stories we have read). In “The History of Genre,” Ralph Cohen explains that genres are open categories, which change over time as new texts are added to the set. Genre set up expectations, which individual texts may satisfy or alter. Knowing the conventions of a genre aids readers in understanding and interpreting the work.
Goal: The purpose of the paper is to explore the relationships between individual works of literature and the changing genre of romance.
Continue reading “Writing Assignment: The Changing Genre of Romance”