Actors Playing Themselves

What does it mean when stars portray themselves? Are we getting a glimpse of  “the real person”? Far from it! We learn instead that the actor and the image are not the same person. Few performances are as artificial as those in which actors play themselves.

In an interview with the acclaimed actor Michael Cain, Michael Parkinson said, “Yours is the most impersonated voice in the business.” Cain responds, “Oh yeah, everyone– I– I can do it.”

“Can you do it?”

“Yeah, yeah . . . ‘Ello, My name is Michael Cain.” (When he says his name, it sounds like “my cocaine.”) The interviewer and the studio audience laugh. Michael Cain does not. He says, rather seriously, “I sound like a bloody moron.” What does it mean when an actor criticizes his own image?

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Watching the Watcher: McMenamy x M.A.C., a Meta-Movie

In this short metafilm by Miles Aldridge, the viewer watches supermodel Kristen McMenamy, “the cosmetics muse,” watching a movie. We never see what she is seeing. We only see her face (and bold makeup, hair and clothing). We are the watchers that watch the watcher. We enjoy her enjoyment and get off on her catharsis.

McMenamy x M·A·C on Nowness.com.

(Read more about metafilms in this post by Omar Rodriguez Rodriguez: Metafilms: An Introduction.)

The Conventions of Unconventionality: An Overview of Metafiction

An overview of major themes I found while studying metafiction for the Metaclass, a self-study course for a masters of literature at San Francisco State University. This summary will also serve as a guide to the posts I have written over the last four months (with notes about a few others I intend to write). It is not meant to be a comprehensive list of meta conventions, but an addition to the the list found under Meta-Meta and Metafiction. (Nor is this intended to be a summary of themes I developed about writing and teaching, the metaclass aspect. Those themes may be found in Putting It All Together: Collaborative and Integrated Reading and Writing.)

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Futurestates: A Metafilm

This short film is very meta as it plays with and blurs the distinctions between the fictional and the “real” world. There is no real distinction, you know. We filter all of our experiences of “reality” through a web of fictions and fictions are inarguably part of reality. Stories and films exist. Virtual reality is reality. Enjoy!

Futurestates (ITVS)