The Myth of Myths: Ronald B. Richardson Reads at You’re Going to Die Literary Event

They were not like this before; the story has brought them together.

At the You’re Going to Die literary and music event, I read parts of “The Myth of Myths: The Development of Human Culture through Mythmaking,” which is an extract of my book Narrative Madness, available at narrativemadness.com or Amazon. This piece was influenced Jean Luc Nancy’s essay  “Myth Interrupted” from his book The Inoperative Community.

The Myth of Myths: The Development of Human Culture through Mythmaking

“We know the scene.” The strange one begins to tell a story by the fire, mumbling, miming, chanting, swaying, and no one pays attention, but she keeps going and there is something about the quiet insistence of her song as it grows louder that makes the old woman, grinding ocher, look up. The men, scraping hides, one by one let the flint fall and find stones to sit on. Others notice the group and gather.

They were not like this before; the story has brought them together. In the warmth of the fire, they lean toward the storyteller, who is one of them, yet an outsider: she has gone away for a long time, she is crippled, or she is crazy. Perhaps she is a man.16 She tells them of the beginning of the world, the birth of the first people, the coming together of a culture, the origin of language and storytelling – a tale they all know, but only she has “the gift, the right, or the duty to tell” it (43), writes French philosopher and literary critic Jean-Luc Nancy in “Myth Interrupted” (1991).

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The Reading of Mystery and the Mystery of Reading

Where do these tracks lead?

The trail comes out from under the trees, onto open savannas, where first we stood and began to follow animal traces with our eyes, reading signs and reconstructing stories of our prey. The path winds around a method of examination and interpretation of detail, which we might, in retrospect, call the art of detecting, modeled in a folk tale first known in the west as “The Three Princes of Serendip.” Next the trail moves upward through the scientific methodology and logic of Voltaire’s Zadig and reaches a summit in the technique of ratiocination in Edgar Allan Poe’s definitive mysteries. Eventually, the tracks continue across the screen and lead all the way to–

Well, I wouldn’t want to give it away.

By inviting the reader to participate in the resolution of the mystery, Poe established the genre. Taking advantage of the formal aspects of this type of tale, a tale of detection, which goads the reader into examining and interpreting detail, Poe was in effect encouraging close reading and even literary interpretation. For the art of detecting and the art of reading are so closely intertwined that we may call them the same act.

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