Trapped in Narrative Language

Our stories have driven us mad.

All of us. You, me and Don Quixote all suffer from narrative madness. Alas, I can not cure you, but I can treat the symptoms with a gloppy plaster of metafiction.

Like the ingenious man of La Mancha, we wander lost through clouds of story, never directly experiencing our surroundings, others, or events. On the day he sallied forth, the self-christened Don Quixote encountered an inn:

“And as whatever our adventurer thought, saw, or imagined, seemed to him to be done and transacted in the manner he had read of, immediately, at sight of the inn, he fancied it to be a castle, with four turrets and battlements of refulgent silver, together with its drawbridge, deep moat, and all the appurtenances with which such castles are usually described” (Cervantes 28).

Gustave Doré

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Metafiction and Chaos Theory: Cory A. Reed’s “Chaotic Quijote”

While Miguel de Cervantes was writing a tale about a mad knight, scientists were discovering and describing a rational order to the cosmos. Between the publication of the first book of Don Quijote in 1605 and and the second in 1615, Johannes Kepler proposed the first two laws of planetary motion, and Galileo Galilei made telescopic observations that proved the heliocentric model of the solar system proposed by Copernicus sixty years earlier. To these scientists, the universe appeared to be an organized system, operating according to observable, objective laws.

In his article “Chaotic Quijote:  Complexity, Nonlinearity and Perspectivism,” Cory A. Reed argues that Cervantes’ metafictional novel anticipates chaos theory: “Like chaos theory itself, Cervantes’ novel challenges the reliability of determinism, objectivity, and literalism that would soon be adopted by the Newtonian and Cartesian models of scientific investigation” (Reed 738). In contrast to the scientists of his day (and all others up until Albert Einstein and Werner Heisenberg), Cervantes represented reality as contradictory, random and subjective.

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