At the end of the 1941 John Huston film The Maltese Falcon, based on the Dashiell Hammett novel, Sergeant Tom Polhaus asks Sam Spade about the heavy, black statuette of a falcon that was the cause of all the mystery and murder.
“Heavy,” he says. “What is it?”
Our hard boiled detective, Sam Spade, replies, “The, uh, stuff that dreams are made of.”
Continue reading “The Stuff That Dreams are Made Of: The Real, the Unreal, and the Maltese Falcon”
In the beginning, art was religion.
“The earliest experience of art,” Susan Sontag writes in “Against Interpretation,” “must have been that it was incantatory, magical” (Sontag 1). With her round belly and mammoth breasts, The Venus of Willendorf, one of the earliest known human figurines from 30,000 BCE, was some kind of invocation, whether of fertility, childbearing, sex, the harvest, or the earth we cannot know, but she is undeniably an invocation.
Continue reading “The Venus of Interpretation: Susan Sontag is “Against Interpretation” and for the Sensual Love of Art”