(Photo borrowed from the hysterical website de-motivational.com.)
If metafiction is fiction about fiction and metapainting is painting about painting, “Metamucil” must be mucil about mucil, right? But what is mucil?
a.k.a. Ronosaurus Rex
(Photo borrowed from the hysterical website de-motivational.com.)
If metafiction is fiction about fiction and metapainting is painting about painting, “Metamucil” must be mucil about mucil, right? But what is mucil?
Abstract paintings are metapaintings. A metapainting is a painting about painting. A metapainting may represent itself, the process of its creation, its materiality, the conventions of art, the gallery where it is hung, the artwork around it, and the place of art and artist in society. Diego Velasquez’s Las Meninas does all these things and more, but Velasquez’s painting is a metapainting because of its subject matter, rather than its form or style. Most other paintings by Velasquez are not meta, but are naturalistic representations. Abstract paintings, in contrast, are inherently meta. (You can see Velasquez’s painting below.)
Abstract paintings are meta because they are about themselves. The titles of many abstract paintings show that they are their own subject matter, for example Constructivist Painting No. 8 by Joaquin Torres-Garcia from 1938. The metapainting also emphasizes the process of its creation, namely its construction in the word “Constructivist.” Similarly, Jackson Pollock’s Square Painting refers to paint being poured into a square (the process being what matters most for Pollock). All abstract paintings are metapaintings.
Well, that didn’t work. I intended to leave this post blank — thirty empty lines followed by the “more” function (“Read the rest of the entry”), then two hundred and sixty three blank lines, another “more,” and one hundred sixty lines, each line representing a second of silence in John Cage’s famous song “4’33,” three movements of no music totaling four minutes and thirty three seconds, composed for any instrument or combination of instruments. However, WordPress will not allow any blank lines. Although cyberspace is relatively cheap and there is an apparently limitless supply of it, the program edits out the empty spaces. On WordPress, I can write anything I want, except nothing. So, I will have to break the silence Cage created.
Continue reading “The Lack of Blank Spaces: Cage’s 4’33” and Rauschenberg’s “White Paintings””