(The second of a two part series examining the influence of modern art on photography, following the post The Influence of Modern, Figurative Art on Ronosaurus Rex’s Photos.)
Abstract painters have helped me to see the colors, textures and shapes around me, a way of seeing I have tried to capture in my photos. The impetus to represent the world abstractly stems from a high school trip to the Utah Museum of Fine Arts. My classmates, I noticed, were attentive in the museum, but once they stepped outside, they stopped looking. “Art is only worthwhile,” I commented to a classmate, “if it teaches us to see the world more richly.”
Instagram gave me a handy tool to translate this abstract vision into photography. Often I tag my pictures with #abstract and nothing else, and #abstract is the name of a book of my photographs compiled by Omar Rodriguez-Rodriguez. In this post, I hope to give credit to some of the abstract artists who have influenced my photographs, either directly or indirectly.
Continue reading “Abstract Art Reinterpreted in Photography”
Forests have fallen to explain The Waste Land. And yet, many readers express frustration, which never fully goes away, no matter how many papers and books they read. Once someone begins to read the poem, it is difficult to know where to stop: the preface, the note on the text, the poem itself, the author’s footnotes, the editor’s footnotes, the sources alluded to, the literary criticism, the guides, the biographies, the bibliographies, the early drafts? There is no back cover to this book. One could go on reading The Waste Land until the Holy Grail was found.
Continue reading “What “The Waste Land” Expresses: An Experiential Approach to T. S. Eliot’s Poem”
Abstract paintings are meta-paintings. A meta-painting is a painting about painting. A meta-painting may represent itself, the process of its creation, its materiality, the conventions of art, the gallery where it is hung, the artwork around it, and the place of art and artist in society. Diego Velasquez’s Las Meninas does all these things and more, but Velasquez’s painting is a meta-painting because of its subject matter, rather than its form or style. Most other paintings by Velasquez are not meta, but are naturalistic representations. Abstract paintings, in contrast, are inherently meta. (You can see Velasquez’s painting below.)
Abstract paintings are meta because they are about themselves. The titles of many abstract paintings show that they are their own subject matter, for example Constructivist Painting No. 8 by Joaquin Torres-Garcia from 1938. The metapainting also emphasizes the process of its creation, namely its construction in the word “Constructivist.” Similarly, Jackson Pollock’s Square Painting refers to paint being poured into a square (the process being what matters most for Pollock). All abstract paintings are meta-paintings.
Continue reading “Abstract Paintings are Meta-Paintings”