Halfway: A Meta-Painting by Tofu St. John

Halfway by Tofu St. John is a meta-painting because it is a painting about painting. The picture is a self-portrait of the painter doing what a painter does. However, the figure is not holding an artist’s brush, as you might expect, but a decorator’s roller. Painting a wall with a solid color  — in this case sky blue — is not usually considered artistic, so this piece creates a tension between painting as art and painting as decoration.

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Into the Abyss: The Mise en Abyme, the Art Work Within the Art Work

Mise en abymeA book within a book, a play inside a play, a picture in a picture, these are examples of mise en abyme, a literary term the French writer André Gide borrowed from heraldry. Pronounced “meez en a-beem,” it literally means “placed in the abyss,” or, more simply, “placed in the middle,” and it was used to describe a shield in the middle of a shield, as in this coat of arms of the United Kingdom from 1816-1837. (Image from Wikipedia.)

Lost WormholeYou’ll notice that the shield inside the shield has another shield inside of it. You can imagine yet another inside that one and so on and so on, forever and ever, so I like to think of “mise en abyme” as “into the abyss.” The eye travels down the rabbit hole to infinity, as in this photo of a “Lost Wormhole” from Illuminaughty Boutique’s post “38 Mise en Abyme GIFs that Will Make Your Brain Bleed… OR WORSE.

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The Conventions of Unconventionality: An Overview of Metafiction

An overview of major themes I found while studying metafiction for the Metaclass, a self-study course for a masters of literature at San Francisco State University. This summary will also serve as a guide to the posts I have written over the last four months (with notes about a few others I intend to write). It is not meant to be a comprehensive list of meta conventions, but an addition to the the list found under Meta-Meta and Metafiction. (Nor is this intended to be a summary of themes I developed about writing and teaching, the metaclass aspect. Those themes may be found in Putting It All Together: Collaborative and Integrated Reading and Writing.)

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Las Meninas: A Metapainting

Las Meninas is a truly great metapainting, a painting about paintings. A metapainting is a painting about paintings, a painting about painters, a painting about the process of painting, a painting that reminds viewers that they are looking at a painting rather than real objects, a painting that breaks the conventions of painting, a painting that obscures its borders or plays with levels of reality. Las Meninas does all these things.

At this point I count at least 23 meta aspects. Take a look at the painting yourself and see how many you can identify:

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